I decided to sub-title my 9th piano sonata the call while working on the slow 2nd movement, which, without a break, follows the 1st (marked 'resolute'). The opening 3 note motif of the 2nd movement (marked 'tenderly') with a rising octave falling a 2nd and eventually becoming a 2 note rising 9th left 'hanging', has the effect of an 'appeal'. The search for a resolution is barely found before the finale (marked 'intense but capricious') vigorously intervenes only to be stopped in its tracks by a soft 2 note descending minor 3rd 'bird call', imbued with an innocent detachment, making a mockery of all the activity around it. It occurs again and becomes a little more insistent, interjecting accross the busy flurries of notes. The 'appeal' motif belatedly reappears. The 'bird call', however, following a hectic downward rush of notes, has the final word, as if to invite the listener to keep things in clear perspective.
Downloadable sample pages found at the link here.
Tasmanian Symphony Orchestra
Federation Concert Hall, 1 Davey Street,
Nipaluna / Hobart,
Lutruwita / TAS 7000, Australia
GPO Box 1450 Nipaluna / Hobart,
Lutruwita / TAS 7001, Australia
TSO Box Office
10am–4pm Monday to Friday
1800 001 190 — boxoffice@tso.com.au
Located in the Hotel Grand Chancellor foyer
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The Tasmanian Symphony Orchestra acknowledges the traditional owners and continuing custodians of lutruwita / Tasmania. We pay respect to the Aboriginal community today, and to its Elders past and present. We recognise a history of truth, which acknowledges the impacts of colonisation upon Aboriginal and Torres Strait Islander people and stand for a future that profoundly respects their stories, culture, language and history.